This song started out as yet another weird, senseless one. I was driving and thought of the expression, “Why you little”. It’s funny that it’s not meant to be completed. Same as “Son of a”, both expressions used in the same context, a half-hearted, fond expression of pseudo-frustration with someone. Because I thought it funny that they were both incomplete expressions, I thought it would be funny to say them in a way not normally heard. So I chanted them really slow and somewhat high pitched. Yeah, I’m weird.
So the original lyrics to the song were:
Why you little
Son of a
Then I thought, “Son of a” is often followed by negative words that I don’t like. So I decided to redeem the phrase. So the song evolved into this first 4-line stanza:
Why you little
Son of a
God Most High
Daughters too
And since my little weird song became something more serious, I decided to write a bunch of stanzas, twelve to be exact. After I was done, and I noticed there were twelve sections, I named the song “The Dozen Gospel Chant”. I like how it turns out something silly became something serious, but it still has an unusual delivery. I wanted to present the message in a way that people might actually listen. Maybe this form is just “different” enough for someone’s ears to hear the Good News afresh.
Listen to: The Dozen Gospel Chant
The Dozen Gospel Chant
Words and arrangement by Phil Steller
Written May 20, 2010
Listen here
Basic stuff
Stop your “I’ve
heard enough”
Eden: good
God and man
in the garden:
that’s the plan
Adam, Eve,
Serpent, Tree
Death was passed
to you and me
All have sinned,
deeply flawed
All were lost:
all but God
Adam’s choice:
fruit enticed
There’s still hope
and a plan
Son of God,
Jesus Christ
came to earth
as a man
Jesus died
in your place
so you’ll live
in His Place
Endless life,
length of days,
end of sin
and evil ways
You won’t die
but you’ll live
if your heart
to Him give
Turn from sin,
make a choice
Worship God,
in Him rejoice
Spread the News
Tell your friends
of a love
that never ends
Jesus is
the only Way
Nothing much
else to say
Interestingly enough, I just realized that the original plan – having 3 syllables per line – turns out to make each stanza twelve syllables… another cool instance of the “dozen” title concept. However, because of how some of them flowed, there are some 4-syllable lines, so it’s not a perfected execution. But the thought that “counts” is pretty cool anyway.
My intent after recording this song (one take, not polished) was to add some really powerful and interesting drums to create a stark and catchy rhythm to go with the simplistic chanting. But I didn’t do that, needless to say. If it becomes some sort of an internet overnight sensation, perhaps I’ll add some drums.